For the last weeks I have been working on a big project commissioned by SONY Music. It is a children´s book about classic fairy tales with the voice and music from big artists from SONY. It will published worldwide before the end of the year, but in the meantime I will post some of the illustrations here so you can have an idea of how the book is going to be.

Long projects like this gives you a big reward when they are published and all your work from the last months becomes visible!

Thanks for reading and stay tuned for more illustrations from this SONY Music children´s book!

 

A fatty mouse running to get in a hole: another excerpt from the children´s book I´m working on. More to come!

I drew this location map for Picture Farm, a production company in Williamsburg NY (brush and ink: see it on their website here). They are by the Williamsburg bridge and they make really cool work, check them out!

 

Another excerpt from the book I´m working on right now. More (even the one who she is going to push) soon!!

Long time since my last post, but lots of things have happened: best news is that children´s book Puggle In Pajamas is finished and off to the publisher (will be out in August!). Also I am currently working in a “long time project” with no permission to show anything until it´s published (yes, it´s a book). This little fatty mouse is part of it… I will post small details so you can try to imagine what is about!

Apart from that, I hope I can show you some other works I´ve been working on soon (as soon as they are “public”). Thanks for your patience…

Cheers!

This is a project based on the design of the book cover and sleeve for Robert Browning´s version of this classic Grimm Brothers tale, trying to give it a more up-to-date style.

We were looking for something “stronger” than the classical children´s designs we always see for this kind of books. I wanted to get a shocking image rather than a beautiful one, with the most important element covering all the book: RATS. Living in NY is very inspiring in a lot of different ways, and this is one of them…

Rats, rats, rats: just leaving a little space where our hero the piper appears. And the space is just that: emptiness, white, air where we can breath.

I want to point reader´s attention to the piper, but first I want the reader to go all over the rats: see the problem and then the solution. When creating an image it is very important to know that the observer is going to look at its components exactly in the same order as we want him to do it. Colors, contrast and figures will help us to get this effect.

This is the first composition of the image, with all the dark mass of rats pointing at the character:

We are just taking spectator´s eye to the piper playing with tones and contrast, but we can make it even easier for him. Rats tails are, in my opinion, the most disgusting part of them, so they could be a very good “eye guide” to get this:

Once we have this scheme, we need to find a starting point for spectator´s eye: we know where we want him to end his view, but we have to give him a point to start. We get it adding something irregular that catches observer´s eye first, something that shocks him: one of the tails doesn´t “go with the flow” and crosses the image, so this is the point where the reader will look at first.

Then we use a color connection between the rats and the piper. A limited color palette is going to give the image a stronger impact, focusing the attention on the elements. A “cute” color like pink is going to make a big contrast with the black and filthy rats, and that is very good.

This is the line drawing, made with nib and liners.

Now it´s time to design the rest of the sleeve, based on the idea mentioned before: rats everywhere, we need the Piper to clean them out. All is rats and tails except the cover where we can find some air to breath.

Simple and direct. Then we just add the text from the publisher and the rest of the information and we are ready.

Thanks for reading, and remember if your are next weekend in NY, you can find me at MoCCA Festival from 11am to 6pm, at the Lexington Avenue Armory
68 Lexington Ave (Between 25th &26th Streets). See you there!!

Next weekend April 9th & 10th I´ll be at the Museum of Comic and Cartoon Art Festival of New York, from 11:00am-6:00pm, presenting S.O.S. Songs from Outer Space and The Puggle In Pajamas, with its author Kristen Booth.

It will be held at the Lexington Avenue Armory, 68 Lexington Avenue between 25th and 26th Streets.
Advanced tickets are $10 for the day and $15 for the weekend. We wait for you at our table in space K19 1/2 on the south side: come to get your copy of S.O.S. and grab a delicious Bella Biscuit from Puggle in Pajamas!!

More details about the Festival here.

SEE YOU ALL THERE!!!!

I´m working on a project based on some classic fairy tales: this is the first illustration from it, based on Little Red Riding Hood.

Like everytime you approach to a new work, the first thing you need to know is what is the subject and what “feeling” you want to give to the piece. As there are millions of illustrations based on Red Riding Hood, I thought it could be interesting to give the illustration a little more scary and less childish look, a kind of subjective point of view from the wolf.

I need a simple an effective composition, where the red color is almost the only color and takes all the attention. The snow helps a lot to get that, as we can leave most of the illustration white an let the red color shine on it.

The compostion is based on a simple vanishing point created by the trees and the wolf, that takes our eye to Little Red Riding Hood:

In order to make the red look stronger, we don´t want to use lots of colors so we will play only with the tones of the illustration: a total white is going to be on the ground so we need to put the “heavy mass of color” on the top of the illustration that will go lighter to the total white of the snow. And almost in the center of the composition: our target, the red color.

This sketch is going to show us the whole composition and even the color: we don´t need to see the wolf´s hair or details, this is enough to guide us in the creation of the final illustration.

One of the most important and dramatic parts of the illustration is wolf´s breath. Apart from showing the reader that it is actually very cold, it makes a connection between LRRH and the wolf, that makes him more scary and her more helpless, as it makes the wolf look closer to her and more threatening.

Then we go to the line illustration, where we can show all the details. At this part it is very important the use of pictures as visual references: wolves have a very peculiar way of walking, similar to a dog (but not the same). Also their body is narrow and their legs are long and thin: we need to be accurate on those details as we want our wolf to look like a real wolf!

(Note: I took these two last pictures of a wolf at the Specola Museum in Florence: highly recommended if you travel to Italy!).

This is the line illustration, based on all written above:

Now we are ready to color it and add textures and details to make the reader feel like he is in the middle of the snow, and also get a stronger image.

One interesting detail is LRRH itself: she is just a red spot, with absolutely no detail. We have a wolf, we have a red spot: we know it´s LRRH, we don´t need nothing else to give us that information. Keep it simple!!

Then just a little pink color for wolf´s gums that connects him with the LRRH red, and takes our eye to his teeth and then to her following his breath.

I´ll post more illustration from this commissioned project soon: stay tuned and thanks for reading!!

A new issue of the 3×3 Magazine publishing ILLO is out and I am featured on two pages with my works “Mighty Mite” and “Accordionist”.

Big honor to be in such a selective publication: very good news!!

Thanks for reading!

This is my new Gallery at Lunarize.com: Lunarize Gallery.

 

I hope you like it!!

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